Pacific Pigments: Mangroves, Rainforests and Territory

This is an intensive workshop exploring natural pigments through the lens of territory, ecology, and ancestral afrocolombian and  Embera Dóbida  indigenous knowledge from Colombia’s Pacific region.

Working with species such as black mangrove, Virola or Otoba (especially Otoba parvifolia), Vismia, Pacific indigo, and annatto ( Bixa Orellana), participants engage in processes of extraction, dyeing, and preservation. The workshop approaches color as a sensory and political practice, connecting material experimentation with ecological awareness and community-based knowledge. It includes materials and a dyeing kit with samples of pigments and plant bases fabrics.

Teresita Valencia is an Afro-Colombian weaver and researcher whose practice is rooted in ancestral knowledge of natural fibers and dyes from the Golfo de Tribugá. She contributes as aremote collaborator and co-researcher. She accompanies and nourishes the research process from a distance through her knowledge, experience, and ongoing practice, maintaining a living connection to the territorial origins of these dyeing traditions.

All funds raised through this workshop will be donated to Teresita in support of her work and community.


Where:

Time:

Berlin Friedrichshain

11.00 - 15.00

Next workshops:

Language

Spanish / English

Price:

60€ including materials


Trainer: Carmen Caro

An interdisciplinary Colombian artist, cultural practitioner, and activist working at the intersection of artistic research, sociopolitical processes, and ethical co-creation methodologies. You can learn more about her work here. Her practice is grounded in deep listening as a political and aesthetic stance, articulating processes of peacebuilding, non-oppressive creation, and defense of water bodies in collaboration with grassroots collectives, Indigenous, Afro-descendant, and peasant communities. Carmen understands territory as a living weave of memories, affects, and collective knowledge, and approaches artistic practice as a tool for care, resistance, and embodied memory. Her work spans sound, language, textile, and material research as interconnected fields of situated knowledge production. She is the founder of Radio Juntanza, through which she develops strategies linking human rights, art, and ethical communication in contexts of socio-environmental conflict and community resistance.

Want More?

After a workshop you can also rent a workspace for your projects on a daily basis to continue your bioplastics and material experimentation journey.